The
film The Gods Grew Tired of Us documents the plight of a few of the “lost boys”
of Sudan who were chosen to resettle in the United States. The documentary works well in that it is
both informing and emotionally engaging. The use of personal interviews combined with informative
narration makes it easy to empathize with the young men as they describe their
stories. The boys tell how they
had trekked hundreds of miles away from their homes, suffering starvation and
the dangers of the African wildlife, to find safety in refugee camps. However, we soon discover the suffering
does not end in the camps, as it is revealed that food and freedom are limited:
the boys are kept inside the parameters of the camps with barbed wire fences
and have little freedom of movement.
Fadlalla describes his viewing of such documentaries as “wrought with
mixed feelings, including the urgency of raising awareness about suffering and
the risk of gazing at Africa’s sufferers from afar” (105). The plight of the “lost boys” was quite
moving and certainly fostered feelings of compassion and an urge to “do
something” to help.
The
film then moves on to follow the journeys of some of the few “lost boys” who
were chosen to resettle in America as refugees. This is where the film begins
to display some of the faults that Fadlalla comments on in his piece on the
depiction of refugees. Fadlalla
explains how the documentaries “were not free from hegemonic understandings of
Africa as a “bushland” whose traditional ways are contrasted with modern
disciplinary practices, governance systems, and humanitarian compassion”
(106). The film seems to
portray Africa as “the other”. It
is depicted as violent, dangerous, and primitive while America is the Promised
Land— modernized and ideal.
This also contributes to how, Fadlalla argues, such documentaries employ
“language of moral humanitarianism and compassion that gloss over state
failures, global inequities, and socio-economic injustices” (108). When watching the film, I couldn’t help
but feel as though the idea of the “white man’s burden” was being depicted. There
was no mention of the root cause of the upheaval in Sudan. Instead, the boys were “saved” from the
primitive and violent Africa by becoming Americans. While the humanitarianism
involved in resettling these boys is not necessarily a negative thing, it does
not and cannot fully address what created the boys’ situation in the first
place.